The Influence Of Hallyu To Image Of Korea As A Tourist Destination And Dissertation

The Influence Of Hallyu To Image Of Korea As A Tourist Destination And Asian Tourists' Decision-Making - Dissertation Example The Korean Gross Domestic Product (GDP), has been appreciably enhanced due in large part to the interest exhibited by other Asian countries of the region in the quality and content of Korean presentations. The bourgeoning industries (television, movie and tourism), have combined to create a groundswell of opportunities for business, and countless opportunities for employment in all sectors. The positive affects extend far beyond the monetary and quality lf life gains. It also opens up for public scrutiny and consumption, the entire Korean culture. Television viewers and tourist, who are in most instances one in the same, are becoming keenly familiar with Korean people. The Korean Ministry of Tourism has taken a lead role in promoting and improving its country’s image in the world market. Additionally the national government has aggressively taken on projects, involving physical development, and international promotion, which promote and showcase Korean culture; Hallyuwood is a giant bold step, which is planned to be a massive (1,000,000 square meter) project with a multi-theme economic approach. There are questions and some debate whether the hallyu wave warrants such a massive outlay of public funds. The debate calls to the prudent mind that hallyu has all the trimmings of a fad, which as they customarily do, if it is only a novel occurrence the public interest will dissipate before the investors can turn the corner. The only project in Asia, which will rival this undertaking, will be Disneyland â€Å"Japan.†Consequently, it will be the only host-nationally owned theme complex in Asia.

Corporal punishment Essay Example | Topics and Well Written Essays - 1000 words

Corporal punishment - Essay Example Although corporal punishment’s aim is to impose discipline, parents, guardians and the like must carefully re-consider its effects on the child’s emotional, psychological, and physical well-being. In effect, corporal punishment is not an option in disciplining a child, but is basically a threat towards the child’s overall development. By definition, corporal punishment is the deliberate infliction of pain, intended to correct behavior or to punish (Wikipedia, 2006). Various efforts in support of this corporal punishment attest that such form of discipline must be considered as the pains an individual suffer early in life is translated into feelings of emotional wholeness. Children who underwent corporal punishment strive harder to reach greater goals in life. Proponents of this concept emphasize that fact that it is the most effective form of discipline, particularly for uncontrollable and unmanageable children. Delinquent children are uncontrollable simply because they think their parents do not care about whatever they do. At times, they think their actions are admissible due to their parents’ lack of interest. On the extreme side, their parents do dissuade them against harm’s way, but in effect these types of children are still unthreatened by their parents’ disciplining ways. As the end justifies the means, corporal punishment becomes the only viable solution to delinquent children or to those children who have uncontrollable behavior. Furthermore, it is the easiest way to impose and manage discipline. In addition, parents’ use of harder forms of physical punishment may have less impact on a child, as opposed to the use of emotional violence. There are children who view corporal punishment as a way to feel the love and respect of their parents. By means of spanking, children are able to perceive that their parents still care for them; hence they still spend time and attention through the discipline they impose. If

Film Remakes Essay Example | Topics and Well Written Essays - 3250 words

Film Remakes - Essay Example Film remaking is both an elastic concept and complex situation especially because the interrelated roles and practices of the industry, critics, and audiences both enable and limit it, thus, to try and understand film remakes, it has been broken down into three major tiers. The first tier deals with remaking as industrial category (Verevis 2006, p.3), which entails issues such as production, including commerce and authors; the second tier is remaking as textual category, and it deals with the genre, plots, and structures. The third and final tier is that of remaking as critical category, which investigates issues of reception, including audiences and institutions; the film remake emerges as a case of repetition, a function of the cinematic discursive fields that is maintained by specific practices in history. For instance, some of the historical practices that actively maintain the concept of film remakes include but are not limited to things such as copyright law and authorship, can on formation and media literacy, in addition to film criticism and reviewing. In that case, the concept of film remaking is a common feature in the history of cinema and it entails a number of technological, textual, and cultural practices; however, film remake has since then been maintained as a separate phenomenon, yet connected. This paper seeks to address some of the crucial pertinent issues surrounding the concept of remaking, while trying to explore a broad theoretical approach that provides both an understanding of the concept of cinematic remaking, and individual film remakes in the contemporary times. Introduction For many years, the cinema has been repeating and replaying its own narratives and genres from the beginnings of time yet film remaking has hardly received any critical attention worth noticing especially because most of the pertinent questions surrounding this concept remain unexplored in film studies. For instance, some of the questions that have seldom been ask ed in film studies concern what film remaking really is, which films that are remakes of other films, how film remaking differs from other types of repetition such a quotation allusion, and adaptation, in addition to, the relationship between remakes and other commercial forms such as sequels, cycles, and series. Apart from these, other pertinent questions that need to be explored in film studies regarding film remakes concern how film remaking differs from the cinema’s more general ability to repeat and replay the same film as many times as possible through re-issue and redistribution. Additionally, film studies might also want to consider the interesting question of how film remaking differs from the way every film is remade- dispersed and transformed- in its varied contexts and reviewing; these and much more are some of the crucial questions that are hardly asked and answered in film studies. There exists several accounts of cinematic remaking, and most of them have provid ed different versions of definitions of film remakes, as new versions of existing films, and as films that to some substantial degree strike as being related to either one or several previous movies. Film remaking is not just about the simplistic cultural knowledge of the existence of, and nature of film remakes because when understood alongside the much broader concept of intertextuality, it can refer to the never-ending and fluid possibilities given forth by the discursive practices of a film culture. Ideally, the remake is distinguished not by the fact of its being a repetition, but by the fact of its being a typical institutional form of the structure of repetition†¦the citationality or iterability, that exists in and for every film† (Verevis 2006, p.1). Just like in the case of the

Georgia Recreation and Park Association Essay Example | Topics and Well Written Essays - 500 words

Georgia Recreation and Park Association - Essay Example These members are drawn from public enterprises, private businesses, academia, etc. Not only do they strive to provide recreation opportunities but also participate in fundraising and technical assistance activities.Bill McNair is the President of GRPA. The Presidentship is shared by Danny Jones and James Dodson. Other prominent members of the top brass include Michael Coleman, Jimmy Gisi, and Steve Card. They are supported by a group of trustees and District Commissioners, who in turn administer other local representatives.The members and Board of Trustees make a combined effort to fulfill GRPA's fundamental purpose, which is "promoting healthy lifestyles through the utilization of park facilities and recreation services for the well being of each citizen individually and the community as a whole, ensuring that park and recreation services are available, and providing organized, supervised activity as a means of prevention for a number of circumstances (disease, stress, etc.) includ ing the prevention of juvenile delinquency." Another function of GRPA is to lobby in Congress to pass new legislation that recognizes the therapeutic value of recreation.   The lobby also interacts with policymakers to allow substantial budgets to support recreation programs and services.   They also work with other non-profits within the state to "continue and/or initiate recreation programs and functions with health and wellness objectives and positive outcomes".   The GRPA also coordinates with the National Recreation and Park Association and lends a helping hand by sponsoring "special events which demonstrate or reinforce recreation, health and wellness relationships."